Stories

We invite philanthropic institutions to rethink how funding is redistributed by prioritizing BIPOC artists and culture-bearers who have been historically exploited.

Since 2020, our work has replaced competitive grantmaking with an approach that centers land, identity, trust, healing, and time. It recognizes the land and the peoples grounded in cultural power who make up the field of creative place-keeping.

The Waterers offer both a proof of concept and an opportunity for ongoing learning, with the giftee stories below reflecting the impact, relationships, and possibilities that emerged through this work.

Christina Vang Christina Vang

Atim Opoka

This gift just didn't feel real; it felt like a scam because usually there are way more hoops to jump through to get funding. It takes experience and resources to showcase your work in a way people are willing to look at and value.

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Christina Vang Christina Vang

Lakota Youth Development

The risk of losing our language risks losing the deep meaning of our cultural ways, balance with the environment and our clear connections to the universe.

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Christina Vang Christina Vang

Gizhiigin Arts Incubator

On receiving the gift from the Waterers, Gizhiigin said, “It is a great honor to be recognized by others doing similar work.

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Christina Vang Christina Vang

Sunkawakan Ta Wounspe

The future of our ability to care for our horses was at risk due to climate change. The gift gave us the ability to care for them at a very crucial time for our family.

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Christina Vang Christina Vang

Ptayela Owayawa Wankatuya

Funds provided by the Waterers allowed them to focus on building the organization's infrastructure and relieved them of the pressure of fundraising.

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Christina Vang Christina Vang

Native Artists United

NAU and The Waterers both value healing, community, decolonial thinking, and trust-building. 

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Christina Vang Christina Vang

Lightning Rod

Immediate Distribution funds were used to pay their staff and artists and allow them the ability to strategically plan and make decisions about their future.

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Christina Vang Christina Vang

Grace T. Andreoff Smith

Her stories of boarding school survival are almost unbelievable and must be documented. This gift will give Grace the opportunity to return home to Alaska and reconnect with her land and people.

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Christina Vang Christina Vang

Frederick Edwards Jr.

Being recognized  gave him “the go ahead to keep going with the work he had been doing” with equity and inclusion at the forefront. 

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Christina Vang Christina Vang

Quinn Villagomez

Quinn knows from experience that trans and trans-BIPOC individuals are not often given opportunities to do community work. “We have to work, show up, speak ten times harder.”

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Christina Vang Christina Vang

Sharon Mansur

Sharon lives and works in a rural area and appreciates how much she can see from right where she is. “It keeps me growing and I can pass it along, which keeps our community growing and learning, too.”

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Christina Vang Christina Vang

Sai Thao

Waterers are not only creating life, but they are also giving life and sustaining life. Seeing people from my community recognize my work is beautiful because it is rooted in building it.

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Christina Vang Christina Vang

Dyana DeCoteau-Dyess

This kind of stuff never happens to us; I never thought I would be where I’m at right now. This is everything I always wanted.

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Christina Vang Christina Vang

Hamzat Koriko

My message for those trying to serve their community is to keep going. You know, it’s a long, long, long process. But one day, your dream will come true.

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Christina Vang Christina Vang

Lawrence Diggs

Lawrence approaches funding from a standpoint of inquiry: he asks, what are you trying to do? What is it that you want? What’s your goal? What’s your mission statement? Not just in this one piece, but in your whole life? 

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Christina Vang Christina Vang

Kyle Mesteth

Kyle’s message to funders is, “If you can help somebody in a struggling community like a reservation, trust them. Trust that they’ll get the work done because they will.”

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